Fantastic sound for all 3 but #1 stands out as the best. highest pitch string at the top (unless you've tuned your instrument differently.). In short, when you are going to apply the hexatonic scale on top of an unaltered dominant V7, try to mix the melodic minor scale a fifth above in your solo. Starting and ending the melodic minor scale on its fourth tone produces the lydian dominant scale. Therefore, the Lydian dominant comes from the melodic minor context. Where is this scale used in real songs? If you are only going to try only one of the chords above then try the maj7#11 chord. Compare the F Lydian dominant with the F hexatonic scale below: Therefore, due to this affinity, we conclude that the hexatonic scale can be used on top of Lydian dominant chords, as we wanted to demonstrate! The Ab lydian dominant scale: F7 is an unaltered dominant, right?! The A7(#5) is one of my favourite arpeggios in melodic minor, and in fact there are two dom7th(#5) arpeggios in there. All open chords for every chord type in every key. The Eb lydian dominant scale: Of course, this is not the only explanation for us being able to use the melodic minor scale one fifth above the dominant. Breathe, calm down and relax. …by a half step (to A and B): In other words, the F Lydian dominant scale is the C melodic minor scale played from its fourth degree. So jazz and bossa nova musicians like to add a small dose of hexatonic mixed with other things (mainly the melodic minor one fifth above), to give it this spice that we just explained. This video is going over 10 Lydian Dominant Guitar Licks each one with a different arpeggio that you can add to your own vocabulary. This leads us to conclude some things. Why would I use it vs more typical scales to put over C Major? The E lydian dominant scale: Adjust the "start fret" option to further highlight a finger Alternate name: IV and V polychord, e.g. The G lydian dominant scale: the definition and formation of the lydian dominant scale, Ask Dr. Pokey: “What Is The Main Purpose Of Chord Inversions?” (Part 1). Notice that the lowering of the seventh generated a tritone, that’s why the chord become dominant. Take a look at the Wikipedia page Lydian Chord for additional notes on the Lydian sound. If you didn’t know that, just check it out in the music modes section; do that scale and observe. It might not quite roll off your fingers like mixolydian does, but that #11 sounds hip. The C lydian dominant scale: Lydian! In this case, the scale we used before (Lydian mode) would have a change in its seventh degree (it would cease to be major and become minor). There are several possibilities for b9 intervals to occur within a chord scale, for example between a 5th and a b13. What is the Lydian scale? They correctly list g# in the melody but call the chord b5. Dominant seventh chords – because, again, inherently tense – provide the most options for any chord to solo over. And I found the 2 polychords 6 add9/11 and 6 add9/#11 listed on a jazz site. Again the arpeggio is clear enough to be the only thing I am using on the G7. Fmaj13#11 chords: #’s 1 and 2 sound great but #1 is a little hard to hold. If you explore the diatonic sus4 triads in D melodic minor you will come across this great sounding arpeggio: Gsus#4. For #4, you can use your ring finger for the A on the low E string if you find that easier than the pinky. And try adding one of the Fmaj7#11 chords in any C major chord progressions you have written. I’d suggest some kind of melodic line to do that. For example, starting and ending the C melodic minor scale: Both #2 and 3 sound better if you can reach the root note on the low E string. …can be derived from the lydian dominant scale. Raising the sixth and seventh tones of the C natural minor scale : The G7(b5) arpeggio is a clear candidate for the Lydian sound since the arpeggio is contains the #11 (or b5). The forgotten triad or G major b5 is also a good arpeggio to get the Lydian b7 sound across. Lydian chords have a definite Spanish or Flamenco sound. Lydian dominant is actually the fourth mode of melodic minor. Lydian Dominant – 10 Licks – What is the Best Arpeggio? Using the C lydian dominant scale: This example is a longer line on a G7 resolving as a backdoor dominant back to Amaj7. See the C melodic minor key below: Notice how the fourth degree is a major chord with the minor seventh! It is called the. …which is chord 5 in the key of F major: Context and function of the major third make that so. Did you notice that the C melodic minor scale is a fifth above F? Where does this Lydian dominant chord come from? Due to the fact that the lydian dominant scale is one of the modes of the melodic minor scale, it would be appropriate for us to highlight the melodic minor scale before we proceed. Too many notes for me and the maj7#11 is all you need for the Lydian sound. So, the C dominant triad: Since it includes the minor seventh is the scale used for playing over a dominant seventh chord, which not function as V chord and especially the 7(#11) chord. However, if you’re neither a gospel nor a jazz pianist, it’s also important you learn about the chords that can be formed using the lydian dominant scale. Quick reminder, there is a tritone between the third and seventh of a dominant seventh chord that begs to resolve since hundreds of years. You get a natural thirteen and a major seventh (which is the leading tone to the root, a half step to the octave, which makes the classical theorists very happy). There, now we can continue. If you want to download a Free E-book of 15 II Valt I licks then subscribe to my newsletter: If you have any questions, comments or suggestions for topics then please let me know. The major 7 flat 5 chord is just a major 7 sharp 11 without the perfect fifth. Previous post: Who Else Wants To Learn About The Lydian Dominant Scale? First the G7 is the tritone substitue of Db7 in a II V I in Gb major. Mixing accidentals is also often the only sensible option to create a readable notation. It is the major scale with an augmented fourth. so a debt of appreciation is in order for posting. I would suggest ending a Lydian progression on the major triad of the IV. “Wow, now it just got too hard for me! The Gb lydian dominant scale: Two other obvious Lydian chords are the major 7 sharp 11 extensions of the 9th and 13th: I also include 4 other Lydian chords, or chords with an augmented 4th: I’ll comment on each of those chords below in the Lydian “add” chords section. In fact, the only note that the hexatonic scale has that is not in the Lydian Dominant scale is the augmented fifth degree. In this case, it is okay to do. In a previous lesson, we started out by learning the definition and formation of the lydian dominant scale in all twelve notes on the keyboard. • Copyright CapCat Music Media INC 2019
With a little practice, these concepts will go from your head and into your blood! Show me chords that sound good with an E Lydian Dominant scale. …produces the F lydian dominant scale: Some of the arpeggios that I cover are sus4 triads, quartal harmony and some non diatonic melodic minor arpeggios. Great! This article covers all the Lydian chords built on the 4th scale degree (F Lydian mode) of the C major scale. It’s an extended maj7 chord with the augmented 4th added. But it’s not the only Lydian chord. But the concept is not so complicated when we put all the pieces together well. Nothing new so far. Alternate names: maj7(#11), Lydian chord, maj9#11 chord F major and G major triads = F6 add9/#11 Harmonization 202: “Drop-2 Voicings” Of Neighboring Chord Couples. Chord tendency: Every Lydian chord in this article perfectly resolves to the one chord (I) of the key, e.g. See the C melodic minor key below: Notice how the fourth degree is a major chord with the minor seventh! Fmaj9#11 chords: I like #2 even though it has the open E and A strings. The first part of this line is an Fmaj(#5) followed by a Dm melodic scale run. maj9#11 chords: There are only 2 but they both sound good. This example is using the G7 as a tritone substitute in a II V I in Gb major. Let me explain the 3 slashes on #2. We are a participant in the Avangate Associates Program, an affiliate advertising program for Transcribe. Fmaj7#11 chords: #1 is the best but I also like #’s 6 and 7. Save my name, email, and website in this browser for the next time I comment. Please subscribe to my YouTube channel and feel free to connect with me via Instagram, Twitter Google+ or Facebook to keep up to date with new lessons, concerts, and releases. This combination is very good, because it makes the hexatonic more attractive! Here are all the intervals in the Lydian chords: add#11 chord (In other words, a Lydian dominant). The scale is a mode of the melodic minor scale found on the IV. Leave a comment on the video or send me an e-mail. What other chords can be formed within the scale, and how are they useful? As the name says, it's a combination of the lydian and the dominant (also known as a mixolydian scale) to create a scale with a raised 4th and a lowered 7th. They are all optional notes and the slashes are my shorthand for alternate voicings.